Martin Scorsese’s 1976 classic Taxi Driver is now considered one of the greatest films in American cinema history, but few people know just how close it came to being “destroyed” before its release. The director has revealed that censorship demands from the Motion Picture Association of America (MPAA) almost forced him to cut crucial scenes — and that he was prepared to take extreme measures to save his movie.
The Controversy Over Violence
Taxi Driver, which famously starred Robert De Niro as troubled Vietnam veteran Travis Bickle and introduced a 12-year-old Jodie Foster to the big screen, contained several graphic moments. The film’s violent climax, including scenes with blood spurts and a severed hand, became a sticking point for the MPAA.
When Scorsese was told these moments had to be removed to secure an R-rating, he was outraged. According to him, the association’s main issue was with the intensity of the blood and the graphic nature of the violence.
“They wanted me to cut all the blood spurting. They wanted me to cut the guy who loses the hand…” Scorsese recalled.
Scorsese’s Extreme Thoughts
In the upcoming documentary Mr. Scorsese, Steven Spielberg remembers receiving an urgent call from his friend. Mimicking Scorsese’s rapid New York accent, Spielberg recalls him saying: “Steve, Steve, this is Marty. Can you come over to the house?”
Scorsese told Spielberg he was so angry he had considered threatening the studio executives — even imagining taking a gun with him to frighten them into submission. In another moment of frustration, he thought about breaking into the editing room, stealing the rough cut of the film, and destroying it himself.
“I was angry,” Scorsese admitted. “If they’re going to destroy the film anyway, let me destroy it. But before destroying it, I’m going to steal it.”
The Genius Workaround
Fortunately for cinema history, Scorsese did not follow through on these extreme ideas. Instead, he came up with a creative solution that allowed the film to pass censorship without losing its edge.
He altered the color of the blood from bright red to a darker, almost brown tone, and made the final sequence grainier. This visual change lessened the shock for censors, but kept the raw, unsettling atmosphere that defined Taxi Driver.
The MPAA approved the revised cut, and the film was released in its intended narrative form — a move that preserved the integrity of one of Scorsese’s most important works.
Lasting Impact of Taxi Driver
The decision paid off. Taxi Driver became a massive critical success, winning the Palme d’Or at the Cannes Film Festival and earning four Academy Award nominations, including Best Picture, Best Actor for Robert De Niro, and Best Supporting Actress for Jodie Foster.
The film’s gritty portrayal of urban decay, loneliness, and moral ambiguity cemented Scorsese’s reputation as one of Hollywood’s most daring storytellers. It also influenced a generation of filmmakers who saw in Taxi Driver a bold example of how to push creative boundaries within the system.
The Legacy and Upcoming Documentary
Scorsese’s story about nearly sabotaging his own film is part of Mr. Scorsese, a documentary that explores his career, collaborations, and creative struggles. Directed by Steven Spielberg, the documentary promises behind-the-scenes revelations from the director’s decades-long journey in cinema.
It will premiere globally on October 17, giving fans a chance to see the moments of passion and frustration that shaped some of the most iconic films ever made.
From Mean Streets to Goodfellas and The Irishman, Martin Scorsese’s career is full of groundbreaking works — but Taxi Driver remains a defining moment in his legacy. And as history shows, that legacy was saved by one clever, last-minute decision.

Hi, I’m Zaheer Shah, a contributor and reporter at TezzLive.com. I have a strong passion for storytelling and believe that accurate, timely news can make a real difference in people’s lives. My work focuses on delivering reliable updates, in-depth analysis, and human-interest stories that connect with our readers.